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Images tagged "central-region"

Nepal, Central Region, Bagmati Zone, Kathmandu, Thamel, Cafe Mitra: Hanging of my photographs in one of the best and most exclusive restaurants of Kathmandu

Nepal, Central Region, Bagmati Zone, Kathmandu, Thamel, Cafe Mitra: Hanging of my photographs in one of the best and most exclusive restaurants of Kathmandu

Nepal, Central Region, Bagmati Zone, Kathmandu, Thamel, Cafe Mitra: Hanging of my photographs in one of the best and most exclusive restaurants of Kathmandu

Nepal, Central Region, Bagmati Zone, Kathmandu, Thamel, Cafe Mitra: Hanging of my photographs in one of the best and most exclusive restaurants of Kathmandu

Nepal, Central Region, Bagmati Zone, Kathmandu, Thamel, Cafe Mitra: Hanging of my photographs in one of the best and most exclusive restaurants of Kathmandu

Nepal, Central Region, Bagmati Zone,Kathmandu, Swayambhounath: Sadhu at Swayambunath Buddha

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhounath: Glimpse of the Hariti (Ajima) Temple

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhounath: Prayerwheels

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Religious objects in the bottom at the eastern side of the stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Pratapura Shikhara at the north eastern edge as seen from the south, the eastern stairs to the right from the Vajra (Dorje)

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: The Stupa, at the left Pratapura Shikhara, view to the east

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Pigeons at the Stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Stone images at the right from the entrance of the Shantipura Buildings, probably Dhyani Buddha Aksobhya

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Yellow Buddha at the Shantipura Buildings at the north of the compound

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Golden face of Buddha in a niche of the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: A monkey on the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: The great stupa in the evening sun

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: An old monk circling round the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: A monkey in a niche of the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Pratapura Shikhara at the north-western corner of the complex and the Tara shrine of the stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Pratapura Shikhara at the north-western corner of the complex and the Tara shrine of the stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: A monkey in a niche of the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: The big Varja (Dorje) at the eastern stairs of the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: Detail of a Buddha statue in one of the shrines of the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhu: Dorje (vajra, thunderbolt) and temple guards at the eastern stairs in new years night

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhu: Dorje (vajra, thunderbolt) and temple guards at the eastern stairs in new years night

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Paintings of Manish Lal Shrestha; left "Sound of Wisdom 1" (75x180cm, 2006), right Sound of Wisdom 2" ( 75x180cm, 2006)

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Paintings of Manish Lal Shrestha; left "Sound of Wisdom 1" (75x180cm, 2006), right Sound of Wisdom 2" ( 75x180cm, 2006)

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Paintings of Manish Lal Shrestha; left "Sound of Wisdom 1" (75x180cm, 2006), right Sound of Wisdom 2" ( 75x180cm, 2006)

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Paintings of Manish Lal Shrestha; left "Sound of Wisdom 4" (90x75cm, 2006), center ?, right "Sound of Wisdom 5" (90x75cm, 2006)

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Paintings of Manish Lal Shrestha; "Sound of Wisdom 6" (120x75cm, 2006) with two of my photographs

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": The poet Manjul

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Paintings of Manish Lal Shrestha; "Sound of Wisdom ?", mixed media (ca. 120x130cm, 2006), see detail on photo L1000196

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Paintings of Manish Lal Shrestha; Detail of "Sound of Wisdom ?", mixed media (ca. 120x130cm, 2006), see photo L1000195

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Some of my works in the gallery

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Some of my works in the gallery

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Some of my works and poems of Manjul in the gallery

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Some of my works and poems of Manjul in the gallery

Nepal, Central Region, Bagmati Zone, Pharping, Bungamati: A kid rings the bell at the Rato Machhindranath temple

Nepal, Central Region, Bagmati Zone, Dakshinkali Mandir: The big bell at a ceremony at the occassion of "Janai Purnima". The temple is dedicated to the gory goddess Kali

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur District, Bhaktapur: Relaxing after hard work at the Dattatraya Square

Nepal, Central Region, Bagmati Zone, Kathmandu, Sankhu: A little shrine near the gaths at the east of the town

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Taumadhi Square: An old woman with her goat at the broken construction of the bell in front of Bhairabnath temple

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Taumadhi Square: Broken construction of the Taleju-bell in front of Bhairabnath temple

Nepal, Central Region, Bagmati Zone, Changu Narayan: A frequently used bell at the northern side of the temple complex

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: A sadhu leaving a temple a the Bagmati Khola

Nepal, Central Region, Bagmati Zone, Kathmandu, Bhouda: The new big Teleju-bell opposit the northern stairs to the stupa

Nepal, Central Region, Janakpur Zone, Janakpur, Ram-Mandir: Inside the temple, a sadhu taking his meal

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: Sadhus at the 11 chiatyas on the occasion of Shiva Rathi's night

Nepal, Central Region, Bagmati Zone, Kathmandu, Durbar Square: Door on the western side of Nasal-Chowk inside Hanuman-Dhoka, the old King's palace

Nepal, Central Region, Bagmati Zone, Kathmandu, Sankhu: Old door in the centre of Sankhu

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; The gate to the Changu Narayan temple. In the back the Narayan-Temple, dedicated to Vishnu, guarded by Garudas

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; The middle door on the frontside of the Changu Narayan Temple, dedicated to Vishnu

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; Door with a talsa, the traditional Nepalses lock, at the Krishna Temple

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Taumadhi Square: Detail of a shrine at the Bhairabnath Temple

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Sukuldhoka/Tadhunchen: Door of a Buddhist house with the eight auspicious signs

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Nepal, Bhaktapur, Tadhunchen: Old man repairing his clothes inside the Tadhunchen Bahal Mandir

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Durbar Square: Door with bothe talsa

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: Door of an old house at the Bagmati river banks

Nepal, Central Region, Bagmati Zone, Kathmandu, Tengan: Beautiful new woodcarved window in Pyaphal Tole

Nepal, Central Region, Bagmati Zone, Pharping: Old man in a window.

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur: "Golden window" of the Bhairabnath temple, Taumadhi Square

Nepal, Central Region, Bagmati Zone, Kathmandu, Indra Chowk, Bal Kumari: Detail of the Paltan Ghar, once used by the army, now stock of a metal vessel shop

Nepal, Central Region, Bagmati Zone, Kathmandu, Bouddhanath: Candels illuminating the little Buddha statues on the toplevel of the big stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Sankhu: An old Newar widow watching the activities on the street in the town centre

Nepal, Central Region, Bagmati Zone, Kathmandu, Sankhu: Detail of a once typical house of a rich Newar merchant

Nepal, Central Region, Bagmati Zone, Kathmandu, Naradevi, Yatkha Tole: Beautiful but neglected more than hundred years old woodcarved windows

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: Girl in the window of an old house at the Bagmati river banks

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: Kid in the window of an old house at the Bagmati river banks

Nepal, Central Region, Bagmati Zone, Kathmandu, Indra Chowk: ...there is always a place for a little business

Nepal, Central Region, Bagmati Zone, Kathmandu, Durban Square: A Sadhu with an U.F.O. plastic-bag passing by the office of the tourist police, while children dressed up for the Gai Jatra festival are waiting for their part

Nepal, Central Region, Bagmati Zone, Kathmandu, Durban Square: A Sadhu in front of a Internet Cafe watching Gai Jatra festival, while youngsters making jokes and a tourist in a tea shop is reading her travel guide

Nepal, Central Region, Bagmati Zone, Kathmandu, Tengan: A woman is waiting close to the Naradevi temple for the end of the Gai Jatra festival to start her business selling vegetables, while the balloon seller seems to be frustrated of his business of the day.

Nepal, Central Region, Bagmati Zone, Lalitpur District, Patan, Hakha: Newari-women having a chat near the Durbar Square

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: A icecream seller waits for customers in front of the Durbar palace opposite the Chysin Deval

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur: Relaxing after hard work at the Dattatraya Square

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur District, Bhaktapur: Relaxing after hard work at the Dattatraya Square

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Talako (Pottery Square): Old man smoking a traditional 'Hooka'

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Streetvendors in the early wintermorning in front of Bhimsen Temple, in the back Garuda statue, Harishankar and Vishnu temple

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Early wintermorning in front Krishna Temple

Nepal, Central Region, Bagmati Zone, Kirtipur: Chating in the wintersun on the streets between the two hills of the town

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Dattatraya Square: Scene in a backyard

Nepal, Central Region, Bagmati Zone, Kathmandu, Asan Tole: Bisket Jatra, the Newari new year in April. A man worshiping at the chariot of Seto Machhindranath, the patron of Kathmandu valley and the god of rain, has been pulled throught hte streets of Kathmandu from the place it has been built - at the junction of Jamal, Kamaladi and Durbar Marg - here to Asan. Almost every day for about a month the chariot will be moved to another Tole.

Nepal, Central Region, Bagmati Zone, Kathmandu, Asan Tole: Bisket Jatra, the Newari new year in April. Streetvendors selling snacks around the chariot of Seto Machhindranath, the patron of Kathmandu valley and the god of rain, has been pulled throught hte streets of Kathmandu from the place it has been built - at the junction of Jamal, Kamaladi and Durbar Marg - here to Asan. Almost every day for about a month the chariot will be moved to another Tole.

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Taumadhi Square: Snake whistlers from India and street sweepersin front of the Bhairabnath Temple

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Taumadhi Square: An old woman with her goat at the broken construction of the bell in front of Bhairabnath temple

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Taumadhi Square: The Bisket Jatra chariot, used for the celebrations of the Newari new year

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Lakulache Tole: Old women remembering better times?

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Nepal, Bhaktapur, Tadhunchen: Old man repairing his clothes inside the Tadhunchen Bahal Mandir

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Patan Dhoka: Streetvendors selling their very few vegetables

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Lagankhel: Priests in the Rato Machhindranath chariot, thr God of rain

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Lagankhel: Policemen holding hands in front of the Rato Machhindranath chariot, dedicated to the God of rain

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Lagankhel: Icecream sellers having a rest at the poultry market next to the Kumari house

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Backside of Krishna temple at night (from Third World Restaurant)

Nepal, Central Region, Bagmati Zone, Bhaktapur, Tibuche Tole: Woodcarved windows of a tradtional brick houses

Nepal, Central Region, Bagmati Zone, Bhaktapur, Dattatraya Square: Children playing in front of the Bhimsen Temple

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Ga Bahal: Loosing an other heritage; an angel going to ruin on a house of a rich Newar merchant from the 1930's

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Dhaugal: Streetvendor waiting for customers

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan Durbar Square: Scene at the occassion of Krishna's Birthday festival. Only women worshipping to Lord Krishna on his birthday (15.8.2006). This old women selling coloured powder for the traditional "Tika" on the forehead to worshippers

Nepal, Kathmandu, Siddhartha Art Gallery: First page of the visitors book at my first solo-exhibition in Siddhartha-Gallery

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Streetvendors in the early wintermorning in front of Bhimsen Temple, in the back Garuda statue, Harishankar and Vishnu temple

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: A man bringing curd to shops in the early wintermorning in front of Vishnu Temple

Nepal, Central Region, Bagmati Zone, Patan, Durbar Square: Man having a chat at the museum

Nepal, Central Region, Bagmati Zone, Patan, Durbar Square: Porter in front of the museum

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Streetvendors in the early wintermorning in front of Bhimsen Temple, in the back Garuda statue, Harishankar and Vishnu temple

Nepal, Central Region, Bagmati Zone, Patan, Durbar Square: Man having a chat at the museum

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; The gate to the Changu Narayan temple. In the back the Narayan-Temple, dedicated to Vishnu, guarded by Garudas

Nepal, Central Region, Bagmati Zone, Bhaktapur, Durbar Square: Aarati-Dance. It is the process of worship offering by oil lamps to the dietes. Usually it is a process used for gods and goddesses and holy beings. As our culture consider guests to be the form of god and goddesses, we present this dance constituting the âAaratiâ in which Newari girls in their traditional attires will present it in the hope the peace and prosperity may shine down on us.
Die Kumari beobachtet das Geschehen auf ihrem Thron im Vatsala Durga Mandir. (1/8) Venue: 6th Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance.
Die Kumari beobachtet das Geschehen auf ihrem Thron im Vatsala Durga Mandir. (1/33) Venue: 6th Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance.
Die Kumari beobachtet das Geschehen auf ihrem Thron im Vatsala Durga Mandir. (1/33) Venue: 6th Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance.
Die Kumari beobachtet das Geschehen auf ihrem Thron im Vatsala Durga Mandir. (1/33) Venue: 6th Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance.
Die Kumari beobachtet das Geschehen auf ihrem Thron im Vatsala Durga Mandir. (1/33) Venue: 6th Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance.
Die Kumari beobachtet das Geschehen auf ihrem Thron im Vatsala Durga Mandir. (1/33) Venue: 6th Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhaktapur, Durbar Square: Jyapu-Jyapuni Dance: âJyapuâ; is the word used to address males of the Newari farmers community and âJyapuniâ to address females. This dance depicts the legendary love story of a âJyapuâ and a âJyapuniâ. The story is a popular and touching as the story of âRomeo & Julietâ and the âRajamatiâ, the lead female character is a very popular among Newars of all age groups. (1/13)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance 2: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance. (1/51)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance 2: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance. (1/51)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance 2: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance. (1/51)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance 2: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance. (18/51)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance 2: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance. (18/51)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Bhairav Dance 2: Bhaktapur is also known as the âcapital of cultural dances and cultural musicâ. Among many traditional cultural dances of Bhaktapur, mask dances are one of the most popular. And among these masked dances the âBhairav Pyakhanâ or âBhairav Danceâ is the most popular one.
Almost all of the traditional dances follow some kind of legend and traditional beliefs and same with the âBhairava Pyakhanâ or âBhairava Danceâ. The legend behind the âBhairav Danceâ goes as follows. Hundreds of years back, the evil forces and beings, âBhootâ, âPisachâ and âRakshasaâ, started to dominate the world. The evil beings, âDaityasâ started destroying humans and the natural balance was threatened. Then the god âBhairavaâ came down to Earth with other divine bodies to destroy those evil beings for restoring peace and to maintain the natural balance. (28/51)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Dhimen Pyakhan: Newars celebrated every significant moment with great vigour. Whenever there is something to celebrate and enjoy, they gather and start dancing to the beats of the traditional drum, âDhimenâ. âDhimenâ beats are loud and make people jump to their feet. If interested, we request our guests to join in the dance. One has the freedom of moving in anyway with the beats. With some alcohol, the joy of the dance is enhanced for sure. (1/7)
Venue: Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Buran Jya: During the Malla Regime, Bhaktapur waged a war with Tibet. Tibetians on their victory spree came to defeat Bhaktapur. The Malla kings were scared and advised all country men to dump all the rice in store under the earth so that the Tibetians could not take them away. After many days of war, the Tibetians fled. Everyone was worried about feeding the people because all the rice had been dumped. The king advised the people to go and check the dumped rice. The rice had turned dark brown and it was not to be eatable or not. On trying it out they found that the rice had grown more delicious and nutritious. Celebrating this occasion, every year farmers in Bhaktapur prepare this brown rice and bring them home in a joyous manner. This process is known as âBuran Jyaâ. (1/8)
Venue: 6th Bhaktapur Night 2006

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Golden Temple/Dhaugal: Egg-porter

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: Row of 11 Chaityas with Lingams inside at the eastern banks of the Bagmati river opposite the main temple

Nepal, Central Region, Bagmati Zone, Lalitpur District, Patan, Hakha: Newari-women having a chat near the Durbar Square

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur: Glimpse into a Buddhist temple

Nepal, Central Region, Bagmati Zone, Kirtipur: Chating in the wintersun on the streets between the two hills of the town

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; The gate to the Changu Narayan temple. In the back the Narayan-Temple, dedicated to Vishnu, guarded by Garudas

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Lakulache Tole: Old women remembering better times?

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Nepal, Bhaktapur, Tadhunchen: Old man repairing his clothes inside the Tadhunchen Bahal Mandir

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Durbar Square: "Lamo Pati" or "Taha Phulchar" (in Newari) at the eastern end of Durbar Square

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: Door of an old house at the Bagmati river banks

Nepal, Central Region, Bagmati Zone, Bhaktapur, Tibuche Tole: Woodcarved windows of a tradtional brick houses

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Golden Temple/Dhaugal: Egg-porter

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: Row of 11 Chaityas with Lingams inside at the eastern banks of the Bagmati river opposite the main temple

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: Crowd opposite Panch Deval Temple on the occasion of Shiva Rathi's night

Nepal, Central Region, Bagmati Zone, Lalitpur, Kathmandu, Thapathali: Ruins of a temple at the Bagmati river banks close to the Bagmati pul

Nepal, Central Region, Bagmati Zone, Lalitpur District, Patan, Hakha: Newari-women having a chat near the Durbar Square

Nepal, Central Region, Bagmati Zone, Bhaktapur District,

Nepal, Central Region, Bagmati Zone, Kathmandu, Durbar Square: Door on the western side of Nasal-Chowk inside Hanuman-Dhoka, the old King's palace

Nepal, Central Region, Bagmati Zone, Kirtipur: Chating in the wintersun on the streets between the two hills of the town

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; The gate to the Changu Narayan temple. In the back the Narayan-Temple, dedicated to Vishnu, guarded by Garudas

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; Door covered with brass and two Talsa at the western side of the Narayan-Temple, opposite the Vishnu-Garuda temple, see also photos L1040511 to L1040 517

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Lakulache Tole: Old women remembering better times?

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Nepal, Bhaktapur, Tadhunchen: Old man repairing his clothes inside the Tadhunchen Bahal Mandir

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Durbar Square: "Lamo Pati" or "Taha Phulchar" (in Newari) at the eastern end of Durbar Square

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: Door of an old house at the Bagmati river banks

Nepal, Central Region, Bagmati Zone, Nuwakot, Jeetpurphedi: Ghana Dai (died in April 2006) with grandchild

Nepal, Central Region, Bagmati Zone, Bhaktapur, Tibuche Tole: Woodcarved windows of a tradtional brick houses

Nepal, Central Region, Janakpur Zone, Dhanusha district, Janakpur: Beautiful old house going to ruins

Nepal, Central Region, Bagmati Zone, Lalitpur, Rigon Tashi Choeling Monastery, Dallu/Pharping: The tenth dance (Deer dance) of the inauguration ceremony

Nepal, Central Region, Bagmati Zone, Lalitpur, Rigon Tashi Choeling Monastery, Dallu/Pharping: The tenth dance (Deer dance) of the inauguration ceremony

Nepal, Central Region, Bagmati Zone, Lalitpur District, Patan, Mahabahal: Temple close to Mangal Bazar/Itee Tole

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Golden Temple/Dhaugal: Eastern gate to the Golden Temple

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Golden Temple/Dhaugal: Egg-porter

Nepal, Central Region, Bagmati Zone, Bhaktapur, Itachchen:, Tekhalcho Tole (West Durbar - Potters Sq.): Cotton shop

Nepal, Central Region, Bagmati Zone, Bhaktapur, Durbar Square: Traditional puppets behind a Shiva Shrine next to the Pashupatinath temple

Nepal, Central Region, Bagmati Zone, Chobar: Door of a carpenter with Buddhist symbols, west of Adinath Lokeshwor

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: Row of 11 Chaityas with Lingams inside at the eastern banks of the Bagmati river opposite the main temple

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: Neglect building, possibly a monastey at the Guhyeshwari Temple (Slesmantak Ban or Mrigasthali Ban)

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: A Sadhu on his way to the banks of the Bagmati river with the Gaths on the occasion of Shiva Rathi's night

Nepal, Central Region, Bagmati Zone, Kathmandu, Pashupatinath Temple: Crowd opposite Panch Deval Temple on the occasion of Shiva Rathi's night

Nepal, Central Region, Bagmati Zone, Patan, Dhobighat: Main door of Assumption Church

Nepal, Central Region, Bagmati Zone, Patan, Kupondole: The watchman in front of the door to the Guru dwara, the Sikh temple

Nepal, Central Region, Bagmati Zone, Kathmandu, Putalisadak, Ram Shah Path: Gate to the garden of the Mosque

Nepal, Central Region, Bagmati Zone, Kathmandu, Naxal, Jain Temple: The altar of the upper floor of the main temple on the compound

Nepal, Central Region, Bagmati Zone, Changu Narayan: A frequently used bell at the northern side of the temple complex

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: A monkey on the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhunath: Pratapura Shikhara at the north-western corner of the complex and the Tara shrine of the stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Swayambhou: Detail of a Buddha statue in one of the shrines of the great stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Durbar Square: Door on the western side of Nasal-Chowk inside Hanuman-Dhoka, the old King's palace

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop open day: Beginning of the play of Alex Gargilis' theatre group

Nepal, Central Region, Bagmati Zone, Kathmandu, Naxal, Bal Mandir: The by an orphanage home used leftern wing of an old Rana building, in which right wing the NAFA (Nepal Assossation of Fine Arts) is based, where the Khulla Dhoka exhibition took part from May 17th till June 6th 2006

Nepal, Central Region, Bagmati Zone, Kathmandu, Naxal, Bal Mandir: The entrance to NAFA (Nepal Assossation of Fine Arts), where the Khulla Dhoka exhibition took part from May 17th till June 6th 2006

Nepal, Central Region, Bagmati Zone, Kathmandu, Naxal, Bal Mandir: The building where the NAFA (Nepal Assossation of Fine Arts) is located. There the Khulla Dhoka exhibition took part from May 17th till June 6th 2006

Nepal, Central Region, Bagmati Zone, Kathmandu, Naxal, Bal Mandir: The building where the NAFA (Nepal Assossation of Fine Arts) is located. There the Khulla Dhoka exhibition took part from May 17th till June 6th 2006

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Display of some of my photo works (Tibet, Zha Shen Lunbu monasteryr (L1070 267), Mustang, Kagbeni (L1030 558) and Tibet, Lhasa (L1070 844) with poems and the visitorsbook

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Three of the best works of children from Lincoln School Kathmandu

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Kantipur TV interviewing Sangeev Upreti

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Two of my photographs from Tibet; left a detail from Jokhang Temple in Lhasa and on the right monks getting lunch at Zha shen Lunbu monastery in Zuangtse (Giangtse); Photos L1070 740 and L1070297

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Painted door of Gopal Kalapremi Shrestha with his own poem on it (see Khulla Dhoka book, page 30)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir: The British ambassador to Nepal, Mr. Bloomfield, after the inauguration of the Khulla Dhoka exhibition looks on my photos of the four smaller Nepalise religions (Jain, Muslim, Sikh and Christian); in the back painted doors of Manish Lal Shrestha (see Khulla Dhoka book, page 52), Rolf Kluenter (Germany, based in Shanghai) with Sudarshan Rana (see Khulla Dhoka book, page 71) and on the right of Bikranta Man Shrestha (see Khulla Dhoka book, page 21)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Painted doors and spectators

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Jerome Edou, who's son Jonathan was one of the initiators of the project

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Painted door of Manish Lal Shrestha (see Khulla Dhoka book, page 53) in the corridor

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Some of my works: at the upper row the inauguration ceremony of the Rigon Tashi Choeling monastery in Dallu/Pharping (L1100 479 and L1100480), center: Tibet, Zuangtse (Giantse) deer in the Zha Shen Lunbu monastery

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Painted door of Manish Lal Shrestha (see Khulla Dhoka book, page 53) in the corridor

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Painted door of Manish Lal Shrestha (see Khulla Dhoka book, page 53) in the corridor

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Door of Prasanna Ranabahu and Pradhal Gurung with poems of Dr. Abhi Subedi (see Khulla Dhoka book, page 67), and door of Maoists Manjushree B.C. and Gauri Shankar Ojha (both of Nagarik Aawaj - Peoples Voice) with poems of Nagendra Thapa (see Khulla Dhoka book, page 58)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: Subina Shrestha's door

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka Exhibition: Door of Sujan Chitrakar and poem of Krishna Joshi, right the door of Subina Shrestha and poem of Sarubhakta

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: Photos of the four smaller Nepalise religions (Jain, Muslim, Sikh and Christian); in the back painted doors of Manish Lal Shrestha (see Khulla Dhoka book, page 52), Rolf Kluenter (Germany, based in Shanghai) with Sudarshan Rana (see Khulla Dhoka book, page 71) and on the right of Bikranta Man Shrestha (see Khulla Dhoka book, page 21)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: From left to right: Door of Chandra Shrestha and Wicki van der Veer (see Khulla Dhoka book, page 24), painted door of Sunil Sigdel and Shakti Samuha with poem of Dinesh Adhikari (Seite 96), door with Stupa of Lama Tashi and Tsewang Topgyal with a poem of Archana (see Khulla Dhoka book, page 44), and the door of Sunila Bajracharya and the poem of Bimela Tumkhewa (see Khulla Dhoka book, page 98)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: Asha Dangol of Kastamandap Studio and friends getting their exemplar of the book

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: On the left door of Shaym Sundar Yadav with a poem of Bishnu Bibhu Ghimire (see Khulla Dhoka book, page 86) und TÃ¼re von Pradip K. Bajracharya und Uygen Tenzin mit dem Gedicht von Laxmi Uprety (see Khulla Dhoka book, page 62)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: left the door o Asadullah Asad (Pakistan) with a poem of Iswari Karki Barsha (see Khulla Dhoka book, page 10) and the door of Bhairaj Maharjan with a poem of Pramod Snehi (see Khulla Dhoka book, page 18)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: Two pupils from Lincoln School in front of painted doors of pupils with Subina Shrestha, and door of Yoneda Masanori (Japan, see Khulla Dhoka book, page 103), in the backgroundthe door of Sharanu Pareet and Shakti Samuha with the poem of Geeta Karki (see Khulla Dhoka book, page 82), door of Govinda Prasad Sah'Azad' and Liz Harvey with the poem of Tushi Joshi (see Khulla Dhoka book, page 32), and in the front the hanging door of Nabendra Limbu (see Khulla Dhoka book, page 57)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: Door of Govinda Prasad Sah'Azad' and Liz Harvey with a poem of Tushi Joshi (see Khulla Dhoka book, page 32) and the door Loren Beven (Southafrica) with apoem of Mayamitu Neupane (see Khulla Dhoka book, page 46)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: Door of Sarita Dongol with a poem of Bimal Niva (see Khulla Dhoka book, page 74)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: Door of Sharanu Pareet and Shakti Samuha with a poem of Geeta Karki (see Khulla Dhoka book, page 82) and on the right a door of Govinda Prasad Sah'Azad' and Liz Harvey with a poem of Tushi Joshi (who is mainly working with Siddhartha Gallery, see Khulla Dhoka book, page 32) and the hanging door of Nabendra Limbu (see Khulla Dhoka book, page 57)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition: The TV for displaying the documentation of the painting of the doors; the doors from the left: Keshab Bartaula, Major of the Nepalese Army (see Khulla Dhoka book, page 41), a unknown object hidding a poem, a painted door of a pupil, right from the TV a door of Prasanna Ranabahu and Pradhal Gurung with apoem of Dr. Abhi Subedi (see Khulla Dhoka book, page 67) and the door of the Maoists Manjushree B.C. and Gauri Shankar Ojha (both of Nagarik Aawaj - Peoples Voice) with a poem of Nagendra Thapa (see Khulla Dhoka book, page 58)

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: Guests

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: Sangeeta Thapa, curator of the Siddhartha Gallery addressing to the public

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: Jonathan Edou of Lincoln School addressing to the public

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: Sangeev Upredi, Professor for Englisch language at the Tribhuvan University addresses to the public

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: John Fry, Country Director of the British Council, main sponsor of the book documentation of the project, addresses to the public

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: John Fry, Country Director of the British Council, main sponsor of the book documentation of the project, with the first exemplar of the book

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: Eduardo Lechuga Jiminez, Acting head of the European Commission Delegation to Nepal addresses to the audience

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: Eduardo Lechuga Jiminez, Acting head of the European Commission Delegation to Nepal at the traitional oillamp ignition ceremony with Sangeeta Thapa, curator of Siddhartha Gallery

Nepal, Central Region, Bagmati Zone, Kathmandu, Bal Mandir, Khulla Dhoka exhibition, inauguration ceremony: The classical music band "Sukarma" set three of the poems used in the exhibition to music

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Mul Chowk: Jasmine Rajbhandari preparing her installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Mul Chowk: Sarita Dangols shirts for the installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Mul Chowk: Jasmine Rajbhandari and Aruna Krishanth preparing their installations

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Mul Chowk: Masum Chisty from Bangladesh preparing his mobile installation, the old man sitting next to him is one of the priests of Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Mul Chowk: Shree Bhakta Shrestha preparing his shoes for the installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Mul Chowk: Andreas Schoenfeldt from Southafrica filming the partipiciants while their preparations of the installations

Nepal, Central Region, Bagmati Zone, Kathmandu, Durban Square: A Sadhu with an U.F.O. plastic-bag passing by the office of the tourist police, while children dressed up for the Gai Jatra festival are waiting for their part

Nepal, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Visitors of the inauguration ceremony with Manjul, Herbert and Manish

Nepal, Central Region, Bagmati Zone, Changu Narayan: A Talsa, the traditional lock mainly used at temples. This one at der Westside of the main temple (2/2); see also photos L1060184 and L1060191)

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop open day: Beginning of the play of Alex Gargilis' theatre group

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Kathmandu, Tengan: A woman is waiting close to the Naradevi temple for the end of the Gai Jatra festival to start her business selling vegetables, while the balloon seller seems to be frustrated of his business of the day.

Nepal, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Visitors, in the center the poet Manjul and Shashil Bikram Shah, who inaugurated the exhibition

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; Door covered with brass and two Talsa (here the center one) at the westside opposite the Vishnu-Garuda temple at the Narayan-Temple, see also photos L1040511 to L1040 517

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop open day: Beginning of the play of Alex Gargilis' theatre group

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur: Relaxing after hard work at the Dattatraya Square

Nepal, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Manjul reading one of his poems on bells

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; Door covered with brass and two Talsa (here the bottom one) at the westside opposite the Vishnu-Garuda temple at the Narayan-Temple, see also photos L1040511 to L1040 517

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Chirag Bangdel's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Detail of my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Talako (Pottery Square): Old man smoking a traditional 'Hooka'

Nepal, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Manjul reading one of his poems on bells

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: A "Talcha" at Mulchowk, a yard inside the Durbar palace

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Chirag Bangdel's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Manjul reading one of his poems on bells

Nepal, Central Region, Bagmati Zone, Bhaktapur District: Changu Narayan Temple; Door covered with brass and two Talsa at the western side of the Narayan-Temple, opposite the Vishnu-Garuda temple, see also photos L1040511 to L1040 517

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Sangee Shrestha's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Exhibition 'Nepal' in the Theaterhaus Stuttgart 2019 - IV. Civil War

Nepal, Central Region, Bagmati Zone, Kathmandu, Bouddhanath: Candels illuminating the little Buddha statues on the toplevel of the big stupa

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Visitors of the inauguration ceremony; Manjul with ??

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Sangee Shrestha's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Exhibition 'Nepal' in the Theaterhaus Stuttgart 2019 - IV. Civil War

Nepal, Central Region, Bagmati Zone, Kirtipur: Chating in the wintersun on the streets between the two hills of the town

Nepal, Kathmandu, Kamaladi, Gallery 32, inauguration of the exhibition "Bells - Silence and Sounds": Visitors of the inauguration ceremony writing into the guestbook

Nepal, Central Region, Bagmati Zone, Changu Narayan: A Talsa, the traditional lock mainly used at temples. This one at der Westside of the main temple (1/2); see also photos L1060185 and L1060191)

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Sangee Shrestha's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Exhibition 'Nepal' in the Theaterhaus Stuttgart 2019 - IV. Civil War

Nepal, Central Region, Bagmati Zone, Kathmandu, Sankhu: Detail of a once typical house of a rich Newar merchant

Nepal, Central Region, Bagmati Zone, Kathmandu, Kamaladi, Gallery 32: Preparations for my interview with Kantipur TV's "Life is beautiful" by Brabha Amatya (lady in the pink shirt), Manish is ready for being interviewed

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Natole/Mangal Bazar: Talsa at the Padhmodaya Mahavidar

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Aruna Krishanta from Sri Lanka with his installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Exhibition 'Nepal' in the Theaterhaus Stuttgart 2019 - IV. Civil War

Nepal, Central Region, Bagmati Zone, Kathmandu, Naradevi, Yatkha Tole: Beautiful but neglected more than hundred years old woodcarved windows

Nepal, Central Region, Bagmati Zone,Kathmandu, Swayambhou: Talsa at one of the niches of the great stupa

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Sarita Dangols installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Bhaktapur, Taumadhi Square: Snake whistlers from India and street sweepersin front of the Bhairabnath Temple

Nepal, Central Region, Bagmati Zone, Kathmandu, Siddhartha-Gallery: Glimpse of the hanging of nine images of Nepalese locks, "Talsa" and a streetscene at the Gai Jatra festival

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Sujan Chitrakar's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Bhaktapur District, Nepal, Bhaktapur, Tadhunchen: Old man repairing his clothes inside the Tadhunchen Bahal Mandir

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Gopal Kalapremi Shrestha's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Backside of Krishna temple at night (from Third World Restaurant)

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Dand Pani Upadhyay's installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: Door of an old house at the Bagmati river banks

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Jasmine Rajbhandari's installation and in the foreground Masum Chisty's from Bangladesh mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Detail of my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Kathmandu, Teku: Kid in the window of an old house at the Bagmati river banks

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Detail of my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Detail of my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Bhaktapur, Tibuche Tole: Woodcarved windows of a tradtional brick houses

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Detail of my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Ga Bahal: Loosing an other heritage; an angel going to ruin on a house of a rich Newar merchant from the 1930's

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators watching the theaatre play of Alex Gargili' theatregroup at my object "Prisoned Peace" at the Open Day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: Spectators at my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: With my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: xy??'s fish and boot installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square: With my objekt "Prisoned Peace" at the open day of Sutra International Workshop

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Masum Chisty's from Bangladesh on his mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan: My installation "Prisoned Peace" in progress

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Masum Chisty's from Bangladesh on his mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan: My installation "Prisoned Peace" in progress

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Masum Chisty's from Bangladesh on his mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Masum Chisty's from Bangladesh on his mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Masum Chisty's from Bangladesh on his mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Masum Chisty's from Bangladesh on his mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Masum Chisty's from Bangladesh on his mobile installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: Detail of my object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Shree Bhakta Shrestha's old shoes installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Sutra International Workshop at Patan Durbar Square: Shree Bhakta Shrestha's old shoes installation

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace" after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace", after removing the covering foil; after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: Detail of my object "Prisoned Peace", after removing the covering foil; after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Sutra International Workshop: My object "Prisoned Peace", after removing the covering foil; after the public presentation on the Durbar Square inside Mul Chowk

Nepal, Central Region, Bagmati Zone, Lalitpur, Patan, Durbar Square, Mul Chowk: Mein Objekt "Prisoned Peace" nach Ã¶ffentlichen Ausstellung auf dem Durbar Square beim Sutra International Workshop

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